![]() Renner was a friend of the German typographer Jan Tschichold and a key participant in the heated ideological and artistic debates of that time.Įven before 1932, Renner made his opposition to the Nazis very clear, notably in his book “Kulturbolschewismus?” (Cultural Bolshevism?). Tasse, a 1994 typeface is a revival of Renner's 1953 typeface Steile Futura. ![]() The typeface Architype Renner is based upon Renner's early experimental exploration of geometric letterforms for the Futura typeface, most of which were deleted from the face's character set before it was issued. ![]() He created a new set of guidelines for good book design and invented the popular Futura, a geometric sans-serif font used by many typographers throughout the 20th century and today. Two of his major texts are Typografie als Kunst (Typography as Art) and Die Kunst der Typographie (The Art of Typography). Renner was a prominent member of the Deutscher Werkbund (German Work Federation). He attempted to fuse the Gothic and the roman typefaces. Thus, Renner can be seen as a bridge between the traditional (19th century) and the modern (20th century). But equally, he admired the functionalist strain in modernism. He disliked abstract art and many forms of modern culture, such as jazz, cinema, and dancing. He was brought up to have a sense of leadership, duty and responsibility. He had a strict Protestant upbringing, being educated in a 19th-century Gymnasium. Renner was born in Wernigerode, and died in Hödingen. ![]() In 1927, he designed the Futura typeface, which became one of the most successful and most-used types of the 20th century. Paul Friedrich August Renner (9 August 1878 – 25 April 1956) was a German typeface designer, author, and founder of the Master School for Germany's Printers in Munich. Hödingen, today part of Überlingen, West Germany ![]()
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